Jamie is an Associate Professor of American religions and material culture at the University of North Carolina Wilmington. She earned her PhD from Duke University. Her book Protestant Relics in Early America examines relic veneration, corpse inspection, and the art of
MoreAni is an Assistant Professor in Armenian Christian Art and Theology, holding a post in Grace and Paul Shahinian Lectureship, at the St. Nersess Armenian Theological Seminary and St. Vladimir's Orthodox Theological Seminary in New York. She earned her doctorate in History
MoreCecilia is professor of Theology and Theological Aesthetics at Loyola Marymount University, Los Angeles. She is the recipient of the 2024 Virgilio Elizondo Award from the Academy of Catholic Hispanic Theologians of the United States, the 2023 Ann O’Hara Graff Award from
MoreThomas is the Alice Mary Baldwin Distinguished Professor of English at Duke University and Professor of Historical Theology in the Duke Divinity School. He is the author of four monographs: Wordsworth Profession: Form, Class, and the Logic of Romantic Cultural
MoreElissa is an associate professor of art and art history at Covenant College in Lookout Mountain, Georgia, and a Norris and Billie Little Endowed Scholar. She received her M.A. and PhD in art history from Washington University in St. Louis, where her research focused on contemporary art, the body, and empathy.
MorePeter has been a Professor at Duke Divinity School since 2020. Before Duke, he taught at Notre Dame and was the founding director of DePaul’s Center for World Catholicism and Intercultural Theology. He has published a monograph, Word as Bread: Language and Theology in Nicholas of Cusa. On November 15, 2024, his edited volume of the
MoreRina Arya is a Professor of Critical and Cultural Theory at the University of Hull, UK. She started her academic career working on the role of the sacred in death of God culture, especially in the paintings of Francis Bacon and writings of Georges Bataille, resulting in her acclaimed book Francis Bacon: Painting in a Godless World
MoreJennifer is the Associate Professor and Program Director of Theology and the Arts at United Theological Seminary of the Twin Cities. Her recent publications include The Good Shepherd: Image, Meaning, and Power and The Ashburnham Pentateuch and its Contexts. Jennifer earned her PhD in
MoreMark is Professor of Theology and Founding Co-Director of the Claritas Initiative on Beauty, Goodness, and Truth at the University of St. Thomas in St. Paul, Minnesota. He is a constructive and historical theologian with interests in theological aesthetics, theology and the arts, mystical theology, and theories of perception,
MoreDavid taught for fourteen years at Oxford and for seventeen at Durham before becoming Professor of Theology, Aesthetics & Culture at the University of St. Andrews in 2007. In recent years he has focused on interactions between theology and the arts and indeed culture more generally. This resulted in
MoreChristina is the author of four books and over 100 articles and essays on medieval Armenian art and architecture, including most recently, "The Art of Armenia." Her 2015 monograph, "Vigilant Powers: Three Churches of Early Medieval Armenia" won the Karen Gould Prize for Art History from the Medieval Academy
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