Moses Goes to Scotland Phillip Aijian The loch is made and remade every day—every moment, filling and draining—from forty rivers. Each deposits untold amounts of peat— kin to coal; kin to light and heat. But in the Loch there abides, as far as we can see, only cold and darkness. Not a light shines under the surface but it gets trapped like a weary firefly in a dirty mason jar. Its depths we know and name in meters and feet, as if meters and feet told us much more about the Loch and its secrets than they do about God
MoreSusan McCaslin is the author of seventeen volumes of poetry and ten chapbooks. She completed her
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MoreThe Way It Begins Before you can write, you’ll need a pen. There is nothing but you in a bare room, so you sacrifice a finger from your left hand, let the bone bleach, then sharpen it on your eye teeth. Before you can write, you’ll need ink. You sacrifice another finger, drain the blood, then sweeten it with spittle. Then you’ll need a scroll. You cut off your arm at the elbow, stretch the skin taut on a rack of bones, secure it with rubber-band muscles. You’ll write for a while, maybe five days or so. When your pen
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