We sometimes speak of hope as though it were a kind of optimism—a brightness we choose in spite of the world as it is. But what if hope
MoreMoses Goes to Scotland Phillip Aijian The loch is made and remade every day—every moment, filling and draining—from forty rivers. Each deposits untold amounts of peat— kin to coal; kin to light and heat. But in the Loch there abides, as far as we can see, only cold and darkness. Not a light shines under the surface but it gets trapped like a weary firefly in a dirty mason jar. Its depths we know and name in meters and feet, as if meters and feet told us much more about the Loch and its secrets than they do about God
MoreYou and Madeleine L'Engle became great friends. (You even coauthored a book on friendship). How did the long, close relationship influence you both as writers?
MoreJamie is an Associate Professor of American religions and material culture at the University of North Carolina Wilmington. She earned her PhD from Duke University. Her book Protestant Relics in Early America examines relic veneration, corpse inspection, and the art of
MoreMichael is Professor of Architecture at the University of Hartford. He is the sole author, editor, or contributor to more than 75 books on architecture, including five books for children.
Michael is the recipient of the Edward S. Frey Memorial Award, in Recognition of the
MoreAcross the Western Church, a seismic shift is underway. Assumptions are being questioned, inherited frameworks are cracking, and for many, faith itself feels unsettled. This moment has come to be known—sometimes anxiously, sometimes triumphantly—as “deconstruction.” But what if deconstruction is neither a collapse nor a cure-all? What if it is, instead, a threshold?
In this Radix Live conversation, Jersak reflects on his book Out of the Embers: Faith After the Great Deconstruction, exploring what faith might look like after cherished certainties are shaken—but not abandoned. Drawing from memoir, theology, philosophy, and the Christian tradition, Jersak invites us to consider how deconstruction, when approached wisely and communally, can actually become a pathway toward deeper communion with God rather than an exit from faith.
Rather than rushing to rescue belief or cheer its dismantling, Jersak patiently “deconstructs deconstruction” itself. He engages voices from across time—from Moses and Paul to Dostoevsky, Kierkegaard, and Simone Weil—showing that this unsettling process is not new, nor is it faithless. Because, when approached with humility, deconstruction can strip away counterfeits, expose idols—progressive and conservative alike—and return us to the living Christ who meets us in the ashes.
This conversation explores what deconstruction actually is, why critique of the Church is necessary, and why thoughtful deconstruction does not have to lead to deconversion. Special attention is given to the vital role of community, the dangers of isolation, and the temptation toward new fundamentalisms once old ones fall away.
MoreAnthony is Associate Professor of American Studies at the University of Notre Dame, where he teaches courses in U.S. religious history, gender and sexuality studies, the long 1980s, and visual culture. His most recent book, Provoking Religion: Sex, Art, and the Culture Wars,
MoreChris is an Assistant Professor of Religion in the Department of Philosophy and Religion at Mississippi State University. He has served as Director of the Krikor and Clara Zohrab Information Center at the Eastern Diocese of the Armenian Church of America and has worked
MoreHillary is Associate Professor of anthropology and religion at McGill University, where she holds a William Dawson Chair. She has edited Everyday Sacred: Religion in Contemporary Quebec and authored Walking Where Jesus Walked: American Christians
MoreAndrew is a lecturer in the Department of Religious Studies at Duke University. He is the managing editor of Material Religion: the Journal of Objects, Art, and Belief and the author of What is Protestant Art?, a short survey of Protestant images and visual cultures from
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